Can i have your number comedian

Half-hour specials from the best names in comedy from the massive library of Comedy Central. The undisputed, premier comedy brand dishes out uncensored stand-up, specials and big name stars from their massive library. Welcome to our standup listening party! The Friday Drive.

Hour-long specials from the best names in comedy from the massive library of Comedy Central. Comedian Roy Wood Jr. Join him on an entertaining exploration into the battle all of us fight every day. Balancing our need to provide with our need for emotional fulfillment. Learn from the people who got it right. Laugh with the rest of us, who constantly get it wrong. Welcome to the Job Fair.

Here's another hour-long special from one of the best names in comedy from Comedy Central's massive library! Set Your Listening Preferences. Fees and taxes apply. See Offer Details below. Continue 3. Merge onto Cahuenga Blvd W. Continue on N Highland Ave. Continue 2. There are no refunds or transfers for parties that do not comply with our listed Covid restrictions.

We have a number of soft drinks, water, hot tea and coffee available. It opens out the action from original sitcom The Thick of It by sending mad-eyed spin doctor Malcolm Tucker, hapless government minister Simon Foster and their cohorts to the States, where they flip and flop for our entertainment, groping towards a coherent policy.

The vulgarity is tumultuous, the wit pointed and the performances impeccably judged. Proof that transferring a great sitcom to the big screen need not be difficult, difficult, lemon difficult. Shame about the sequels. The beginning of the Brooks empire, and still his funniest film, The Producers combines old-school kvetch comedy, Broadway backstage hi-jinks and outright headline-grabbing bad taste to intoxicating effect. Some films create an entire world, with its own rules and its own geography.

Rushmore is one of the greatest of these. The grounds and environs of Rushmore Academy are at once familiar and strange, populated by bored millionaires and Scottish vagabonds, lost aquatic heroes and their grieving lovers, gruff headmasters and winsome Asian teens, and of course Max Fischer, arguably the most complex, original, loveable but infuriating movie creation of the past three decades. But even as it approaches its third decade, Rushmore still feels blindingly original and unique.

Woody comes to both bury and praise his hero Danny Rose in this lyrical note to the dimmer lights of the Great White Way. It would be an easy world to mock, but Allen gives it a generous, mournful, affectionate send-off that pays far richer, far funnier dividends. The controversy around The Blues Brothers has been raging since its release. Is this a case of two white comedians exploiting the heroes of soul music to make themselves look cool?

Or is the film actually a loving tribute to a great American art form? The truth is, a bit of both. Where would screen comedy be without His Girl Friday? But director Howard Hawks had the inspired brainwave of turning the male Hildy into a female firebrand played by Rosalind Russell — detonating one of the most incendiary, yet affectionate, sex-war duels in cinema history.

This social misfit makes for a terrific underdog hero, and when he decides his skill is dancing, things get really funny. Vote for Pedro! Consequently, anyone seeing this expecting wall-to-wall Sellers may be a mite disappointed. But hey, it knocks spots off the awful remake. Just let your Soul Glo Arriving in the countryside, priggish Keith Roger Sloman turns up his nose at non-free-range eggs this was 40 years ago , while his wife Candice Marie Alison Steadman might not be as floaty and submissive as she first appears.

Squirm, and squirm some more. This story of Buddy the 'elf', a human raised in the north pole by Santa and his real elves, and his journey to find his real dad is fast becoming a festive family staple. The juxtaposition between Ferrell's Buddy, a guileless simpleton who accidentally causes havoc and destruction, and his stiff-lipped and gruff businessman of a father provides genuine moments of humour and heart.

Meanwhile, director Jon Favreau delivers any cornball sentiments with an adept balance of irony and sincerity. In a world long before health and safety, here is a man literally risking life and limb to present some of the most astonishing sight gags ever performed, from ducking cannon balls to flipping railroad ties to chucking an entire, full-size locomotive off a bridge.

Seven years of college down the drain. Might as well join the fucking Peace Corps. But none of them have the same gutsy energy brought by Animal House cast members like John Belushi.

Both Ephron and Reiner sank into Hollywood slush, but they were always headed that way. And at least they left one perfect — and I do mean perfect — movie before they jumped. Even funnier than the overblown Queen album of the same name, this was the Marxes at their anarchic apogee, an excoriating dissection of snot-nosed, jazz-age, high-society wags that contained some of their most memorable comic riffs. The story, in which Groucho falls in with a moneyed has-been and has to assist a struggling opera company, plays second fiddle to an intense barrage of puns, tongue-twisters and wisecracks.

Previous beloved Brit comedy duos — from Eric and Ernie to Patsy and Edina — faltered making the transition from the small to the silver screen. But Shaun of the Dead was the making of Simon Pegg and Nick Frost, a surprise that catapulted them to demi-god status.

This is not a film about survival: this genuinely suspenseful rom-zom-com is about respect and the getting of it. Too cute. West Side Story? Too butch. Meet Me in St Louis? Aw, shucks. Lawrence Feings. Forest Lorenston. His name is James Jesenthon. Lawrence Fell. Lawrence Jesterton. Did someone say fish in a barrel? Exhibit A for that claim, surely, is Blazing Saddles. Co-written by Richard Pryor and co-starring Gene Wilder , it remains a riot of bad taste.

John Wayne was offered a cameo role, Brooks once claimed in an interview. After reading and considering the script, the iconic Cowboy declined the opportunity.

Amen to that. An irresistible feelgood charmer. Bridesmaids is way more than just a lads comedy with the genders switched.

Sure, there are some of the bad-taste trappings, but it more than outgrows them with its silly-but-smart script and the lively direction from Freaks and Geeks legend Paul Feig. Even better, though, is the note-perfect casting. Kristen Wiig's performance as Annie is raucously hilarious her impersonation of a penis is a highlight , as is Rose Byrne, whose deadpan performance as Helen is severely underrated.

Mostly, though, it works because the relationships between the women feel real and honest. Looking back, the concept of a guy dressing up as a woman to get a better job is a vaguely uncomfortable one, and its approach to feminism is badly out-dated. Now hang on while I fix my lippy. When New York is invaded by ghastly ghouls, who you gonna call? You know the answer: four self-styled Ghostbusters ready to dash in and zap the spirits into oblivion. Framed as a slapstick sitcom and built on solid satirical foundations, Morris and his co-writers based much of their script on evidence and court transcripts relating to real cases of DIY terrorism.

In the years since, the film has become a regular reference point in the news as life — tragically and comically — continues to imitate art. What to say when a film is creeping towards its first century but still feels as timely, relevant and subversive as it did on release?

It takes some kind of genius to make a comedy out of a thermonuclear holocaust — and arch pessimist and master filmmaker Stanley Kubrick was that very genius. So much more than just a jolly fat man, John Candy was one of those performers who seemed to have comedy right down in his bones.

When he added a pinch of pathos, the results could be devastating. Billy Wilder delivers a pacy, racy cross-dressing farce, full of gags and sauce. Second only to Airplane! Will Ferrell stepped up from the big-boned manchild of Zoolander and Elf to musky, manly movie star in a film that recalls a simpler, polyester time.

A time when a man was not judged by the contents of his character but on the raw, unchecked ferocity of his cologne, the lustre of his moustache and the quantity of leather-bound books that lined the mahogany shelves of his apartment. It takes a lot of front to keep a straight face while winding up gullible members of the public, but Sacha Baron Cohen is a master — as proven by this wince-inducing odyssey across America. Travelling under the guise of a radio host from Kazakhstan, Cohen trawls the byways of the USA, inveigling himself into the welcoming arms of locals before shocking them with an outrageous arsenal of faked Kazakh cultural mores.

Although a damn fine comedy at heart, the film also serves as a sobering reminder of the sheer simmering level of racism and misogyny among the very same folks that got Trump elected. Well, Reg and co. South Park creators Trey Parker and Matt Stone had no idea what they were taking on when they decided to make a Thunderbirds -style puppet movie about the War on Terror.

As concerned with skewering the twin pomposities of mainstream action cinema and liberal Hollywood as it is with the terrorist armies of Durkadurkastan and North Korea, the film borders on genius in its self-aware use of wooden marionettes, particularly in the notorious sex scene.

What makes it stick? What follows is an anatomy of their relationship. The story is rooted in purest farce, as the Three Wise Men arrive at the wrong manger and unsuspecting everyman Brian Cohen is declared the Messiah. What a dizzying achievement this is. The Life of Brian takes potshots at everything from schoolroom Latin to Biblical epics most of which it shames with its attention to period detail and religious hypocrisy — but, crucially, never religion itself.

Leslie Nielsen steals the film as an onboard doctor. You're asking, how much more funny could this be? List your show on free event listings websites and contact local press to let them know about the show. They may be able to include this within an events calendar. Use your previous ticket sales to build a mailing list and send them details about new shows when they are announced.

Wherever possible, try to keep your events to the same night. If you host a show on the first Tuesday of the month, your audience will soon start to look for show announcements around this time. Look at your remaining acts and running order. Speak to your middle act about headlining the show. In the words of the Scout motto: Be prepared. At the very least, always make sure that you have a spare microphone available. Ensure they have a list of the equipment each act needs in advance of the show.

Not only does it impact on the atmosphere of the evening, but also your profit line. Wherever possible ensure your tickets are sold in advance. You can ignore it or you can use it.

Unfortunately heckling is now an expected part of a comedy show. If a punter is ignoring the house rules, remind them, but only let it slide for so long.

If a heckler is ruining the show, have the venue remove them. Being a promoter is all about building on your last show, spend time working the comedy circuit and seeing what works best. Soho Theatre. Instead of putting on multi-bill nights, the venue showcases one-hour solo shows from some of the finest acts in the world. The Comedy Store. A purpose-built comedy venue, The Comedy Club is one of the finest comedy venues in the country. With seating that hugs the stage, each of their shows is an intimate success.

Laugh Out London. It serves as a friendly environment for comedians big and small to practice new material in front of a comedy-savvy crowd. Since the emergence of the COVID pandemic, virtual events have become a crucial format for event planners who want to continue to reach their audiences. In , most event types that would have typically taken place in person have now adjusted to the virtual landscape — and comedy nights are no exception. Taking your comedy night online will allow you to continue reaching the masses during the pandemic and beyond.

Investing in a way to offer virtual events may also serve as a long term extension to your comedy events, especially as people become more accustomed to attending virtual events in general.

Ongoing virtual comedy events will allow you to reach more people without geographic limitations, helping your comedy night gain even more popularity. When planning your virtual comedy night, you should follow the same planning process as highlighted when planning a physical comedy event.

Comedy events should be intimate and interactive — attributes that can prove difficult to replicate in an online environment. Choosing the right virtual event platform can help you to create this feeling as best as possible. For comedy nights, virtual platforms that allow all guests and comedians to be seen at the same time work well to create a more authentic experience.

Comedians feed off the reactions of the audience, so making sure the live stand up performer can engage with the audience on some level is extremely important.

There are lots of ways to give your audience an opportunity to interact with the comedian virtually. As part of the event information, you should also advise the attendees in advance about the dynamics of the virtual comedy event. Explain that attendees are encouraged to:. This will allow the audience to get more involved in the show, create a softer environment and make the virtual event more enjoyable for everyone.

Sound and presentation is key to making your virtual comedy event successful — so encourage your acts to create a space similar to what an audience member would normally expect from a comedy event.

For example:. Like most virtual events, attendees expect there to be a price discount compared to physical events. Due to the costs saved on traditional event overheads such as the venue and production equipment, you can still price your tickets in a way that helps you drive a profit, pay your talent fairly, while offering an affordable experience for your guests.

You can also scale pricing, offering tickets that allow some guests greater opportunity to interact with the comedians via instant messaging or by speech, while other guests pay less just to enjoy the show. This adds value to the tickets and allows you to stagger prices. You should also add a limit to the amount of tickets. Limited places create a sense of exclusivity, and allows everyone the opportunity to get more stuck into the show.